It took many years of musical training for me to realize just how bad my singing voice is. I’m a respectable musician when I play a guitar, mandolin or other stringed instrument. But when I open my mouth, a cacophony comes out.
I have tried to get better — pity the vocal teachers who worked to help me. But my voice remains defiantly bad, and I wonder: What is to blame for this selective musical sabotage? Is it my brain, my ear or my vocal cords?
In search of answers, I approach the experts at BRAMS (International Laboratory for Brain, Music and Sound Research), the Montreal-based research institute devoted to musical cognition and the complex neurobiology involved in musical aptitude. I present my problem to Sean Hutchins, who spent four years at BRAMS studying the neuroscience of music. (He is now at the Royal Conservatory of Music in Toronto.) He says he thinks he can help me. He also tells me that the majority of self-diagnosed bad singers aren’t quite as inept as they think. I like him already.
